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2014 French scientific discipline fiction action motion-picture show

Lucy
Lucy (2014 film) poster.jpg

Theatrical release poster
Directed by Luc Besson
Written by Luc Besson
Produced past Virginie Besson-Silla
Starring
  • Scarlett Johansson
  • Morgan Freeman
Cinematography Thierry Arbogast
Edited by Julien Rey
Music by Éric Serra

Product
companies
  • EuropaCorp
  • TF1 Films Production
  • Canal+
  • Ciné+
Distributed by
  • EuropaCorp Distribution (France and Benelux)
  • Universal Pictures (International)

Release dates
  • 25 July 2014 (2014-07-25) (U.s.)[ane]
  • vi Baronial 2014 (2014-08-06) (France)[2]

Running time

 90 minutes[iii]
Country
  • France[4]
Languages
  • English
  • Korean
  • French
Upkeep $39 million[five]
Box function $463.4 meg[5]

Lucy is a 2014 French science fiction action film[five] written and directed by Luc Besson for his company EuropaCorp, and produced by his wife, Virginie Besson-Silla. Information technology is an English-language motion-picture show shot in Taipei, Paris, and New York City. It stars Scarlett Johansson, Morgan Freeman, Choi Min-sik, and Amr Waked. Johansson portrays the titular character, a adult female who gains psychokinetic abilities when a nootropic, psychedelic drug is absorbed into her bloodstream.

The film was released on 25 July 2014 and became a massive box function success,[6] grossing over $463 million, more than eleven times the upkeep of $40 one thousand thousand. It received positive, but too polarized, critical reviews. Although praise was given for its themes, visuals, and Johansson'due south performance, many critics establish the plot nonsensical, especially its focus on the ten percent of the encephalon myth and resulting abilities.[6] [7] [8]

Plot [edit]

25-year-old American Lucy is studying in Taipei, Taiwan and is tricked into working every bit a drug mule by her new boyfriend Richard for a South Korean kkangpae and drug lord. Lucy delivers a briefcase to Mr. Jang containing four packets of CPH4, a highly valuable constructed drug.

Later seeing Richard existence shot and killed, she is captured and a bag of the drug is forcibly sewn into her abdomen to transport the drug to Europe. While in captivity, she is kicked in the stomach, breaking the bag and releasing a large quantity of the drug into her system. She acquires increasingly enhanced physical and mental capabilities, such as telepathy, telekinesis, mental time travel, and the ability non to feel pain. She also becomes ruthless and emotionless. Using her new abilities, she kills her captors and escapes.

Lucy travels to the nearby Tri-Service Full general Hospital to become the purse of drugs removed from her abdomen. She is told past the operating dr. that natural CPH4 is produced in minute quantities past pregnant women during their sixth calendar week of pregnancy to provide fetuses with the energy to develop. Growing heightened physical and mental abilities, Lucy returns to Mr. Jang'south hotel, kills his bodyguards, assaults him, and telepathically extracts the locations of the 3 remaining drug mules from his brain.

Lucy begins researching her condition and contacts scientist Samuel Norman, whose research may be the cardinal to saving her. After Lucy speaks with Norman and provides proof of her developed abilities, she flies to Paris and contacts a local police captain, Pierre Del Rio, to help her detect the remaining three packets of the drug. During the flight, she starts to disintegrate as her cells destabilize from consuming a sip of champagne. To stave off her disintegration, Lucy consumes more of the drug. With the help of Del Rio, Lucy recovers the rest of the drugs. Coming together Norman and his colleagues, she agrees to share everything she knows.

In the professor's lab, Lucy discusses the nature of time and life and how people's humanity distorts their perceptions. At her urging, she is intravenously injected with the contents of all three remaining numberless of CPH4. Her body changes into a black substance that begins spreading over computers and other electronic objects in the lab, transforming them into a side by side-generation supercomputer. She mentally begins a spacetime journey into the past, eventually reaching the oldest discovered antecedent of flesh, Lucy. She touches fingertips with her, and so goes all the way to the starting time of fourth dimension and witnesses the Big Bang. Meanwhile, Jang enters the lab and points a gun at Lucy's head. He shoots, only by then Lucy has reached 100% of her brain chapters and disappears, moving into the spacetime continuum. Only her wearing apparel and the black supercomputer are left behind.

Del Rio enters and fatally shoots Jang. Norman takes a black flash bulldoze offered past the supercomputer, afterward which it disintegrates. Del Rio asks Norman where Lucy is, immediately after which Del Rio's cell phone sounds and he sees a text bulletin: "I am everywhere." Lucy's voice is and then heard stating "Life was given to us a billion years ago. Now you lot know what to do with information technology."

Cast [edit]

  • Scarlett Johansson as Lucy Miller:
An unwilling drug mule who is accidentally dosed with a drug that activates a myriad of pre-encoded genetic conscious capabilities. The role of Lucy called for "an actress who could be believable as extremely vulnerable, too as superpowered, when her exposure to an illicit substance inadvertently makes her learn incredible skills." Impressed by Johansson's subject area, Besson considered her for the part, stating that she was immediately precise and professional, and he "enjoyed the way she talked about the pic." He said, "She was excited for the right reason, which was the story. At that moment, information technology was a done deal for me. She was definitely the one."[9] Angelina Jolie is widely reported to accept been originally cast equally Lucy,[10] [11] [12] and as having dropped out of the role prior to filming.[13] Although Jolie was in "serious talks" with Besson since 2011 to star in his next directorial attempt, then untitled,[14] [15] he stated that she was non his get-go choice for the role of Lucy.[ten]
  • Morgan Freeman every bit Professor Samuel Norman:
Producer Virginie Silla stated that given Freeman'due south experience portraying a character of wisdom, "it was pretty obvious that he was the perfect actor" for the function of Professor Norman.[9]
  • Choi Min-sik equally Mr. Jang:
Besson said that Mr. Jang is the "best villain" he scripted since Gary Oldman'due south grapheme Norman Stansfield, adding that "Whereas Lucy is the ultimate intelligence, Mr. Jang is the ultimate devil." Besson and his film team "had to go and meet [Choi] in Korea, talk with him and discuss the story. And information technology was only at the very end that he said, 'Okay, I'k interested, I desire to be in.'"[9]
  • Amr Waked every bit Pierre Del Rio:
Besson stated that "Del Rio represents the audition; he'south basically you and me," and added that when Lucy has "lost all her emotions past being exposed to the drug," there exists "a tiny spark of emotion that'due south still there" when she is with Del Rio. Waked also said that Besson having written the script was enough for him to desire to star in the motion picture.[nine]
  • Julian Rhind-Tutt as the polite British antagonist[ix] who sews drug packs into the mules
  • Pilou Asbæk as Richard,[9] Lucy's delinquent boyfriend in Taipei
  • Analeigh Tipton equally Caroline,[9] Lucy'due south roommate in Taipei
  • Nicolas Phongpheth as Jii,[ix] Jang'southward acme henchman

Speaking of Besson's "interest in making the film one almost the fashion we interact with our environment, and socially as well," Silla said that one of the goals was to bring together a diverse cast to show the planet'due south diversity and a mixture of the unlike cultures. She stated, "And so we accept Scarlett Johansson, who is Caucasian, Morgan Freeman, who is African-American, Min-Sik Choi, who is from Korea, and Amr Waked, who hails from Arab republic of egypt."[9]

Production [edit]

Writing [edit]

Besson stated that he intended for the get-go part of Lucy to exist like Léon: The Professional person (which he also wrote and directed), the second part to exist like Inception and the third part to be like 2001: A Space Odyssey. [xvi]

He was intrigued by the brain capacity of Lucy, a female Australopithecus afarensis, stating that her encephalon size was only 400g, and mod human being brains weigh in around i.four kg. "I was very interested with all the scientific discipline," he said. "When I learned one cell tin can ship 1000 messages per cell per second and we take 100 billion cells in our body, for me, it'due south gigantic." He did non want to brand "a documentary well-nigh the brain," and so he focused on making an entertaining film with scientific and ethical aspects, which he cited every bit "quite rare today." He said, "That was my goal: an activeness movie with a purpose. When I was younger, the purpose I had was smaller. Basically, this is about united states, our legacy and what we larn."'[17] A computer-blithe version of Australopithecus being in the film, "modeled on the dawn of Homo sequence from 2001: A Space Odyssey", is one of several of Lucy's homages.[10]

"I live in a land of food, and you lot can't have a third star in a eating place (the top Michelin rating) without risk, invention or creativity", Besson said. "I'd rather take some risks, and mayhap some people will say, 'What the fuck is this film?' Merely some others volition embrace it. I totally empathize that nosotros tin't take this kind of risk on every moving-picture show, but at the same time, yous can't progress if there is not risk and novelty." He added, "I approximate the film has the possibility to be a hit with the American audition. Of course, I would rather that it perform and the people are happy with it."[x]

Upkeep and filming [edit]

Lucy was the 2d largest budget French film production in 2013, with an gauge of 48 million euros.[18] Information technology is too one of the biggest productions for EuropaCorp, the visitor founded past Luc Besson in 2000.[19] Co-ordinate to EuropaCorp CEO Christophe Lambert, this picture show had the highest budget in the company's history.[xx]

Primary photography started in September 2013 at the Cité du Cinéma, a new megastudio located on the outskirts of Paris.[21] On 5 September 2013, scenes were shot at the cliffs of Étretat in northern French republic.[22] Filming in Taipei, Taiwan, began on 21 Oct 2013 and lasted for eleven days.[23] [24] One of the locations filmed at was Taipei 101, ane of the earth'southward tallest skyscrapers.[25] [26] Select footage was filmed with IMAX cameras.[27]

On 23 October The Hollywood Reporter stated that Besson had get enraged by all the media attending the shoot was getting that day.[25] Besson was reported to exist so frustrated with the abiding disruptions that he considered leaving Taipei to moving-picture show elsewhere. Coming together reporters in Taipei a solar day after he finished shooting the Taiwan part of the film, he stated, "Nosotros don't want pictures with new dresses of Scarlett. Erstwhile [sic] I lost a bit of my concentration because I'thousand bothered by that." Considering of constant paparazzi intrusions he said that "shooting at nighttime time was a nightmare". Besson singled out ii unnamed agencies from Hong Kong for special condemnation. News reports emerged that he wanted to leave Taiwan early to register his disapproval of their actions, only Besson labelled these as incorrect.[28]

Visual effects [edit]

Lucy has the most visual effects in a picture directed past Besson,[twenty] with over 1,000 effects shots under senior visual furnishings supervisor Nicholas Brooks.[nine] The majority of visual furnishings were done by Industrial Calorie-free & Magic (ILM),[29] with a squad headed by supervisor Richard Bluff. Barefaced described Lucy as "really fun considering it wasn't a thousand shots of robots or things we typically do," instead relying on short sequences "that required a lot of new means to trouble-solve and to visualize them."[thirty] ILM began work on the projection in July 2013, based on concept art provided past Besson's Europacorp, such every bit Lucy sprouting the black tendrils and Lucy's disintegration effects.[29] Among the fabric ILM studied equally reference for the effects were chemical reactions, laser lighting displays seen at raves, and the work of artist Perry Hall, who had previously worked with Brooks in What Dreams May Come.[31] Another major contributor was Rodeo FX, responsible for the Paris chase scene, Taipei matte paintings, and the visual representation of cell phones' radio waves seen by Lucy'due south enhanced vision.[29] [32]

Music and soundtrack [edit]

Lucy: Soundtrack from the Motility Pic
Soundtrack album past

Éric Serra, Diverse Artists
Released 22 July 2014
Genre Flick soundtrack, film score
Label Dorsum Lot Music
Éric Serra chronology
The Lady
(2011) 		Lucy: Soundtrack from the Motion Picture
(2014)

The film'south original score was equanimous by Éric Serra, who has scored all of Besson's films apart from Angel-A and The Family. The soundtrack was released on 22 July 2014 past Back Lot Music.[33]

Marketing [edit]

Several print and digital posters were issued by the distributor Universal Pictures for Lucy, with the theatrical release poster including the tagline: "The average person uses 10% of their encephalon capacity. Imagine what she could do with 100%."[34] On 15 Baronial 2014 Universal Pictures released two advance posters for the upcoming one-act film Dumb and Dumber To that spoofed the theatrical release affiche for Lucy, besides a Universal Pictures-distributed film.[35] The two spoof posters were fabricated public via Tweets from the Twitter accounts of Jim Carrey and Jeff Daniels.[36]

On 2 April 2014 the start trailer for Lucy was released.[37] It was described as having "hit the Cyberspace with the forcefulness of a punch to the head,"[38] with reviewers stating that information technology is "promis[in]m a wild ride with Johansson rendering people unconscious with a motion-picture show of her wrist,"[39] "awesome" as "the girl who was once exploited becomes very, very dangerous,"[40] and "wonderfully insane as Johansson goes from a drug mule at the mercy of her captors to a superhuman with remarkable command over her torso and a diminishing capacity for mercy."[41] James Luxford of The Guardian described a common theme evident in the trailer that has run through Johansson's past three films: characters who "evolve, mutate or vanish altogether".[42] After the moving-picture show premiered, however, its trailers were categorized every bit beingness starkly different from how the moving picture actually plays out; for example, the film not being as action-packed.[43] A behind-the-scenes preview of the film was released on July 10.[44]

In his 2014 book titled Bang-up Myths of the Encephalon, Christian Jarrett quotes direct from the film poster, dismissing information technology and the film'south portrayal of the potential for "mastering all noesis and hurling cars with her mind" as being fully speculative fiction.[45]

Release [edit]

Lucy grossed $126.seven million in North America and $336.7 meg in other territories, for a worldwide full of $463.4 million, against a budget of $40 million.[5]

On July 25, Lucy opened at 3,172 theaters in the U.s.a..[46] Information technology opened with $17,088,110, placing it in the meridian spot for the box role opening weekend, alee of the competing film Hercules, which debuted in the number two spot with $11,058,454.[47] Lucy, described as "bringing a needed boost to the ailing summer box office,"[47] did financially better than expected,[47] every bit early box role estimates for the movie placed information technology "on track for $fourteen million to $15 million on Friday, including $2.7 million from two,386 late Th screenings."[48] It earned $43,899,340 at the domestic box function for the opening weekend, with Hercules remaining at second identify with $29 million.[49] Globally, Lucy debuted at the number one box office spot in all markets information technology was released in outside of U.S. and Canada, every bit of August 8.[50] In Taipei, the film'due south performance has been credited to roughly half of the motion picture having been shot at that place, and it having "boost[ed] Taiwan'southward popularity amidst the country's efforts to bring itself to the world stage."[51] [52] It opened at twenty two Taipei theaters, grossing NT$14.3 million (United states of america$478,000) from 57,900 admissions, and, afterwards ii days there, made NT$25.6 million (The states$854,000) in the uppercase, later earning over NT$38 million (US$ane.27 one thousand thousand) from seventy five locations nationwide, making it the quaternary best opening day in Taiwan, after Transformers: Historic period of Extinction, Iron Man 3 and The Avengers, the all-time opening day for United International Pictures (UIP), and the best August opening twenty-four hours of all-fourth dimension.[52] Lucy is also the 2d most successful debut for a French activity film.[50]

The audience for Lucy was split evenly between men and women, with 65 percent being over age 25.[53] Nikki Rocco, president for domestic distribution at Universal Studios, said, "To take a female pb in an original property absolutely fabricated a difference. Scarlett is a star, and her presence [in the picture show] made it a lot more highly-seasoned for women."[54] Michael Bodey of The Australian commented that women having comprised half the audition is "a seemingly new precedent for an action flick" and that, because of its box part performance, Lucy is the motion picture out of all of Besson's picture show work "likely to have the greatest cultural touch."[17]

Thewire.com's David Sims stated that Johansson's success with Lucy at the box role would exist "no hateful feat given that information technology's a European R-rated action movie opening against a PG-xiii epic with a more proven action star" in Dwayne Johnson (The Rock). "She's plain had supporting roles in Marvel blockbusters but [Johansson] has never opened a blockbuster as an above-the-championship star," he stated, adding that The Island was her first real attempt at doing then, but was a flop, and that if "tracking holds, Lucy will solidify this new phase in Johansson's career every bit a marquee name."[55]

In U.S. and Canada, Lucy earned $61 million in ticket sales in three,173 theaters, and attracted 7.6 meg viewers in its opening week.[50] Rocco said that widespread interest from ticket buyers indicated that Lucy brought "a dissimilar side to an action film," and that Universal Studios "had maintained loftier hopes for the 'R-rated original concept female person-driven action pic.'"[49] Leading in the weekend's ticket sales on online ticket service Fandango, Lucy outsold action thrillers Oblivion, Elysium and Edge of Tomorrow "at the same betoken in the sales cycle."[48] It additionally outsold The Bourne Legacy ($38.1 one thousand thousand) and Salt ($36 million), compared to their opening weekend spots, just failed to surpass the opening weekend grosses for Wanted ($fifty.9 million) and Taken 2 ($49.5 million).[53] Ray Subers of Box Part Mojo stated, "The fact that it fifty-fifty came close, though, is a fairly remarkable feat for this moderately-budgeted original action flick."[53]

Subers said that there are a few contributing factors to Lucy'due south success, commenting, "Showtime, the movie had an intriguing premise (what if nosotros could utilize more than 10% of our brains?) that was front-and-center in action-packed, visually-stunning advertisements." He said that this helped Johansson's lead role of Lucy announced to be "a natural extension of the butt-kick brand she's built" as Black Widow in The Avengers and Captain America: The Wintertime Soldier, and that "recognizing that audiences were connecting with the fabric, Universal made the savvy decision to move Lucy upwards from mid-Baronial," where information technology instead would have been competing with Guardians of the Milky way, Teenage Mutant Ninja Turtles, and The Expendables 3, a dissimilarity to "this less-competitive tardily July appointment."[53] Oliver Gettell of Los Angeles Times commented similarly, citing 5 reasons for the film's successful opening weekend: A tricky sci-fi hook (the 10 per centum of brain myth), Johansson equally an action star, Besson every bit a crowd-pleaser (known for films that please audiences, especially ones that arts and crafts strong female characters), a summer of strong women (previous successful female-driven films in the year being Maleficent and The Fault in Our Stars), and a slick marketing campaign (the trailers for the film emphasizing a high concept narrative, activity and mayhem while de-emphasizing "philosophical and metaphysical pontificating").[6]

Reception [edit]

Early reviews for the picture show were positive and mixed,[7] [55] [56] [57] and later on more often than not positive.[58] Lucy was categorized as entertaining and giddy, but too polarizing, by critics.[six] [55] [59] [60] On review aggregator website Rotten Tomatoes, it holds a score of 67% based on 234 reviews; the rating average is 6.06/10. The site's critical consensus reads: "Enthusiastic and giddy, Lucy powers through the movie's logic gaps with cheesy thrills plus Scarlett Johansson's charm – and mostly succeeds at it."[61] On review aggregator Metacritic, the film has a score of 61 out of 100, based on 45 reviews, indicating "generally favorable reviews".[62] Audiences polled by CinemaScore gave the film a "C+" form on a scale of A to F.[47] Based on 14 press reviews, French website AlloCiné gave the film an average rating of ii.half dozen out of v.[63] The film received a score of 84% on French website Cinémur.[64]

In France, the film received 14 press reviews. Regarding the positive reception, Danielle Attali wrote in Le Journal du dimanche that "Luc Besson'due south thriller shows a successful talent to entertain and proceed in suspense".[65] In Voici, the reviewer also appreciated the work of Besson, stating that he "returns to action films with this wacky cross between a superhero motion picture and moving-picture show about Asian gangsters, amped upward past the e'er sexy Scarlett Johansson".[65] In Le Parisien, Magali Gruet stated, "Some accept called this a feminist film, and though we will non become that far, information technology would be wrong to deny that a woman is portrayed equally the source of solutions intended to save the world."[65] Libération wrote, "Beyond the success or embellishment which adorns each new scene with a spectacular swagger of violence and improbable turns, there is a strong feeling that Luc Besson now makes films from a position beyond merely marketing considerations."[65] Le Nouvel Observateur wrote, "It was unclear how such a contrived portrayal can delude audiences once the novelty becomes prodigal."[65]

Amid U.S. reviews, Christopher Orr of The Atlantic reviewed it through the list of 26 points, in an article published in The Atlantic under championship "The Dumbest Moving-picture show Ever Made About Encephalon Capacity". Orr begins with describing it as "mind-bendingly miscalculated sci-fi vehicle for Scarlett Johansson" whom he sees as "moderately charismatic", and film'southward 89 minutes length as "mercifully brief", although noting that "quantity of inanity" squeezed into this screen time "beggars that of awful movies of substantially greater length". He ultimately explains his option of review format through points by calling the film "so idiotic that the only way to properly convey its flaws is to enumerate them".[66] Justin Chang of Multifariousness called Lucy "a slickly engineered showcase for a kickass heroine whom nosotros instinctively, unhesitatingly root for" and an enjoyable, "agreeably goofy, high-concept" speculative narrative devoid of cocky-importance because "information technology pays deft, knowing homage to whatsoever number of Hollywood sci-fi head-trip classics, embedding its ideas in a dumbo labyrinth of cinematic references that somehow terminate upwardly feeling sly rather than shopworn."[67] Jordan Hoffman of The Guardian chosen the film "mindless and mixed upwards, but propulsive and fun" and added that "Scarlett Johansson shines in this pseudo-intellectual activeness flick that represents Luc Besson's finest piece of work" since the flick The Fifth Element; he gave Lucy iii/5 stars,[68] while IGN's Jim Vejvoda rated the film a 7.2 and said "this motion picture is all nigh Johansson, who's in almost every scene. She ably plays the title character as she transforms from average person to omnipotent entity" and "ultimately, more of Lucy works than doesn't. It's a fun movie fifty-fifty if its 'scientific discipline' more than strains suspension of atheism. It'due south a credit to Besson's style and Johansson'southward performance that Lucy isn't a train wreck."[69] The San Francisco Chronicle'due south Mick LaSalle said, "You can scoff at Besson's philosophies and hypotheses, but to do that would miss what'due south in front end of y'all. Lucy is an impeccably realized vision of Besson's view of things."[seventy]

By dissimilarity, John DeFore of The Hollywood Reporter stated that "plenty of films and novels have envisioned what would happen if we gained conscious control over our unabridged brain," but that "information technology's hard to recollect one whose ideas were more laughable than this one." He stated that the audition may "scroll with the picture" as Lucy does things beyond human being capability, but that the motion-picture show does not justify "Lucy's increasingly godlike abilities, which presently include fourth dimension travel and levitation. Every now and then, a nugget of real philosophy is dropped into the screenplay, simply information technology's surrounded by so much blather that even a generous viewer has problem using it to justify what Lucy experiences."[71] Writing for LA Weekly, Amy Nicholson stated that Besson "must think the audience is operating with even fewer synapses [than the capacity of ten percent]. Here, his style is slick but hand-holdingly literal" and "as the newly bionic Lucy seeks vengeance, Besson fifty-fifty tries to convince u.s. she's a strong female person grapheme, which to the majority of male action directors simply means a sexy, silent badass. The real females in the audience may wonder why a genius would limp across a multi-continental gunfight in five-inch Louboutins."[72]

Amid the master criticisms of the film were the 10 pct of brain myth, Lucy becoming less empathetic and more than robotic as her brain capacity increases, her invincibility,[8] [67] [71] [73] and the use of animal imagery to convey "obvious points."[55] Ralph Blackburn of Belfast Telegraph called the notion of only using ten per centum of the brain an "often-quoted idea" that "has obvious Hollywood potential," but, according to leading neuroscientists, is "nothing more than an urban myth." He cited neuropsychology professor Barbara Sahakian, quoting that "it'south impossible to work out how much of our brain we are using quantitatively. However, it is definitely much more than x per cent."[8] Chang stated that considering Besson "seems more interested in engaging, playfully yet seriously, with the various biological, philosophical and metaphysical riddles that [the picture show] raises," the story is lacking as an action film and is not "much of a thriller – it'due south near an anti-thriller, devoid of suspense or any real sense of danger due to the fact that its heroine is more or less invincible," and that "at times information technology's difficult to milkshake the sense that a smarter, more unbridled picture might have found a way to sideslip the bonds of genre birthday."[67] Similar Chang, DeFore felt that one of the flaws with the film is Lucy'due south invincibility because it "nullifies much of the drama to come up."[71] Michael Phillips of the Chicago Tribune said that the first xx minutes of the film are good, but that by half an hour of runtime, the audition will realize that Lucy has no limits, which makes the film irksome subsequently a while with a "limited payoff".[74] The Boston Globe'south Ty Burr, on the other hand, stated of the criticisms: "who comes to a Besson movie seeking logic? Lucy stays truthful to its ain invented physics."[75] Besson said he knew of the 10 percentage myth, and that the film uses it every bit a metaphor,[17] while Robbie Collin for The Daily Telegraph concluded the film is based on the Kantian model of transcendental idealism, where the homo mind imposes order on the world to make sense of it, and without it all relations betwixt objects in infinite and time would finish to exist.[76]

Lucy has been compared to diverse films; common examples include Akira,[77] [78] 2001: A Infinite Odyssey, The Matrix, The Tree of Life, Transcendence, and especially Limitless.[eight] [67] [71] [73] Chang said, "Lucy's gradual rise to omniscience and omnipotence recalls Neo's ain such journeying in The Matrix, while her many black-suited Korean opponents suggest some other regular army of Agent Smiths," and added that, when Lucy "uploads herself, Big Blood brother-style, to every computer and TV screen in the vicinity," the film suggests "a livelier, less ponderous remake" of Transcendence. [67] Hoffman said, "The end of the movie goes completely off the rails, merely in a way that is mannerly in its stupidity. It's like 2001: A Space Odyssey for those with brusque attending spans, and those people need to have their minds blown, too, I suppose."[68] Matt Prigge of Metro New York, while calling the film "stupid, smart and awesome," stated that it "smartly goes in a wildly different direction than the amusingly amoral Limitless, in which Bradley Cooper's character abused a similar drug, but used it to gain success, money and power. He was selfish. Lucy is selfless." Prigge added, "If Lucy is Limitless, information technology'south Limitless with more than than a nuance of The Tree of Life, and fifty-fifty a bit" of the film Under the Peel, which as well stars Johansson.[73] Burr commented that "where a fully juiced cerebellum just made Cooper'southward character really, really capable, Lucy undergoes a metaphysical makeover that, past the picture show'southward midpoint, has started to rearrange time, space, and her body."[75] Comparing Lucy's powers to characters Professor X, The Dr., Dr. Manhattan, Galactus, God from Bruce Almighty, Carmine Witch, and Tetsuo from Akira, Hollywood.com's Hashemite kingdom of jordan Smith stated that "Lucy may exist the most powerful flick character ever created," but indicated that Tetsuo's powers might match hers.[79]

Awards and accolades [edit]

Awards and accolades for Lucy
Year Consequence Honor Category Recipients
Nominated Alliance of Women Picture show Journalists Kicking Ass Award for Best Female Activity Star Scarlett Johansson
2nd place Village Voice Film Poll Best Actress
Nominated Saturn Award Best Action/Adventure Flick Lucy
Nominated Broadcast Movie Critics Association Awards Best Actress in an Activeness Flick Scarlett Johansson
Nominated Jupiter Award Best International Extra
Nominated MTV Film Awards All-time Female Performance
tertiary identify National Club of Picture show Critics Awards Best Actress
Nominated Visual Furnishings Society Awards Outstanding Created Environs in a Photoreal/Live Activeness Feature Pic Richard Bluff, Stephen Bevins, Stephen DeLuca, Tiffany Yung

Graphic novel and possible sequel [edit]

Hollywood journalist Nikki Finke reported in a July 2014 post on her picture industry blog that: "In August, a Lucy graphic novel will be released online with iv capacity actualization every other day for 1 week."[80] The first chapter of the semi-animated graphic novel was published on the international version of the movie'south official website and features the same story material as seen in trailers with picture show elements that motility equally scrolling takes identify.[81]

In an April 2014 WonderCon interview, Besson was asked about the possibility of a Lucy sequel and stated, "With Lucy, you'll see the end of the movie. I don't know how we can brand a sequel, merely if the film is huge, then I volition remember about it."[82] In August, while promoting the moving picture in Taipei, where scenes were shot, Besson commented further about the possibility of a sequel: "I don't see how nosotros can practice one. It's not fabricated for that. If I find something good enough, perhaps I will, but for now I don't even recollect about information technology."[83] [84] In June 2015, it was reported that a sequel was in development.[85] In October 2017, it was rumored that Besson had completed the script,[86] just on five Oct he announced on his Facebook page that he is non working on a sequel for Lucy.[87]

Run into as well [edit]

  • Posthuman
  • Pseudoscience
  • Charly, a 1968 film based on the 1959 short story and novel Flowers for Algernon, about a man whose IQ gets tripled.
  • "Understand", a 1991 novelette by Ted Chiang about some other man who'south made super-intelligent by an experimental drug.
  • Phenomenon, a 1996 film in which John Travolta is mysteriously turned into a genius with telekinetic powers.
  • Limitless, a 2011 pic and 2015 idiot box series in which a drug allows a man to fully utilize his brain.

References [edit]

  1. ^ Kroll, Justin (May 23, 2014). "Universal Moves Up Scarlett Johansson'due south 'Lucy' to July 25". Variety . Retrieved June 4, 2014.
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External links [edit]

  • Official website preserved at the Internet Archive
  • Lucy at IMDb
  • Lucy at AllMovie

smithwittife.blogspot.com

Source: https://en.wikipedia.org/wiki/Lucy_(2014_film)

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